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In which I talk in symbols….

@*%&)!*#!

Not those.

Sean Taylor runs a blog titled Bad Girls, Good Guys, and Two-Fisted Action. Despite the title, it is not a sausage fest, nor is it solely focused on crime/noir/genre fiction. It’s one of the best, most thoughtful writing blogs out there, and one that doesn’t get enough attention.

I’m happy to be part of today’s writer roundup, in which we discuss symbolism from the perspective of the writer. While we can all find symbolism in what we read, whether intended by the author or not, how do we approach the use of symbolism as writers? It’s “the curtains are fucking blue” argument, that frequently we seek out a reflection of what we already believe in our fiction, while the author may simply have chosen blue for the curtains because that’s what he saw in his mind’s eye. Is symbolism in the eye of the beholder, or is it an intentional commentary on This Modern Life? Or something in between?

As an MFA student, finding symbols is kind of our stock in trade. Where would we be without dissecting the true meaning of the letter opener on the table or the broken wine goblet? And then there’s what Hemingway allegedly said:

Check out what Sean’s latest author roundtable had to say about symbolism, including me. What is your take on it?

Published inwordcraft

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